Decorator Series:
Week 1 - Charlotte Moss
Week 2 - David Kleinberg
Week 3 - Kips Bay Show House
Week 4 - Sam Botero
Week 5 - Robert Couturier
Week 6 - Susan Zises Green
Week 7 - Matthew Smyth
Week 8 - Jamie Drake
Week 9 - Barbara Uzielli
A portrait of Laura with her dogs in the open living room.

We were swept away by Laura Bohn’s loft in a Beaux-Arts former bank building in the Village. Instead of decorating, she almost seems to sculpt interiors. She is in love with texture, strange contrasts and the play of light. She sees potential in all kinds of modern materials, including the most lowly or unyielding –concrete, plastic, finished metals – and turns them to her advantage. There is a luminous, organic quality to the colors with which she works, resulting in a space that is somehow simultaneously dramatic and serene. She is totally unafraid of a bare space, adores gut renovation and, by her own admission, is a workaholic.

You grew up in Texas – were you very young when you moved to New York?

I was 19. I was a model. I modeled for 11 years. I also went to Paris for three years, which I loved. I used to work for Nina Ricci as a house model. I went back to school when I was in my thirties, to Pratt, daytime, with the other students who were all kids. It was fantastic. I was the oldest but now when I go to schools to teach, it’s amazing how many people in their fifties and sixties have decided to change professions. Usually people are intimidated to go back to school but it’s the best thing in life to do it, especially at that age – you’re smarter.

What was it that drew you to design?

I just loved it. But you know it was a profession that didn’t exactly exist when I was a kid. I was good at math and my father was an engineer and I love architecture. The decoration side of things didn’t thrill me all that much. At Pratt, when I saw the presentation of the Environmental Design Department, which is extremely architectural, I thought ‘Oh my God! That’s it!’

Above: A grandson’s Teddy left behind. The surface of the kitchen’s island and backsplash are made from Okite, a man-made quartz material. The ceiling fixtures were hung in a zig-zag pattern so that the light could be dispersed equally over the countertop.

Left: Looking into the kitchen, the huge column hides a structural T-beam that Laura wrapped in corrugated plastic from Robin Reigi and turned into extra storage space.

The breakfast/dining area. Laura purchased this round table with a stainless base from a store on 15th street and 7th. The collection of photos on the wall in the background are by Gordon Parks.

So you prefer something more rigorous than choosing cushioncovers.

I used to fill in with traditional work but now I really don’t bother. Actually nobody comes to me anymore for it. I’ve been around so long and either you like what I do or you don’t. I get people who want to start from scratch, to start over.

What do you do with those kinds of clients? Sometimes it seems as if they don’t seem to have any history – or want any.

They haven’t developed their taste by moving up, a studio, then a two-bedroom and so on, buying stuff and throwing stuff out. They have made money so quickly. It’s all hedge fund-type money. If I show them things, they say they don’t know if they like it or they don’t like it. They have no reference. They just know it’s a trend. They’re only into impressing their friends.

A collection of balls in different materials, including this one in mercury glass, are scattered throughout the loft.

Above: This large banquette designed by Laura has been with her in four different apartments. The leather ottoman from Ethan Allen is a leftover from a photo shoot.

Left: Laura’s grandson adores pouncing on this blue foam “M&M” from Modernage.

How do you feel about that?

I think it is absurd. But they do learn. You know I had one client who said, ‘I know towels go in the bathroom but I don’t know how to fold a towel.’ So I showed her. You really have to take them through ‘Living 101’.

Is there a particular kind of project that you would like to do but haven’t yet done?

Yeah! Our barn [at our country house in Pennsylvania]. I just went to the Milan Furniture Fair and while I was there I saw this light fixture. It’s ten feet across, kind of an amorphous shape with this very soft luminosity, really sexy. It works like a hot air balloon. The barn is 18th century, made in stone, real pure, but it needs to be gutted. And I’m going to put the light fixture in and design a whole space around that.

You worked for John Saladino quite soon after you graduated. What was that like?

Everybody said to me ‘You’re not up to that job’ and I said ‘I know, but they hired me.’ It was a senior designer position. But I just figured it out! I was older so I looked like I knew what I was doing, even though I didn’t!

Did you make mistakes?

Oh God! Horrible! Horrible! John was a screamer anyway. He’s got one of those personalities that’s really over the top. [When he was talking to clients] we used to sit next to him and kick him because [otherwise] he’d say horrible things.

Above (l. to r.): Lulu, Laura’s Jack Russell/Corgi mix, waits patiently for his mistress; Amy, a Corgi, was the beloved dog of Laura’s mother.

Left: A basketful of colorful balls from Laura’s collection livens up the bedroom.

How does a designer prevent their style from becoming dated?

I constantly look for new materials. Plastics, different and strange metal finishes…there’s always something new. At the moment I love these hatbox toilets. Have you seen them? It literally looks like a hatbox shape but the tank and everything goes in it and then you have a mechanical seat…I mean it’s a $2000 john…but it’s gorgeous. Gorgeous!

Above: The vast living room with 15 ft. ceilings opens up to a lush interior garden.  Laura and her husband Richard Fiore, a builder and developer, tore off the entire back of the building to create this fabulous outdoor space.

Below: The stairs leading down into the living room were especially constructed so that they are the right height to sit on, and are used as seating when Laura has parties.

Is there anything currently in fashion that you detest?

Oh there’s this stone, God it’s horrible! Sort of fake-Italian, cobbled, pinky, taupey… it’s in every builder’s house, you see it on TV all the time.

What do you think of IKEA?

I love IKEA! I adore IKEA! I mean you can’t use the furniture because it doesn’t hold up but the design is impeccable. Their kitchens are just beautifully designed. Those handles on my kitchen cabinets are from IKEA. I showed something like them to a client but when she found out they were from IKEA, she didn’t want them.

Looking into the loft from the main terrace.
Top, left: Laura spotted the aluminum-topped vanity from Munimula at the Javits Center design fair. The wall on which the photograph by "S" Again hangs is made of epoxy with mirror from Ward Murphy.

Above, left: The flexible screen from Top Deck provides welcome privacy in the master bath.
Left: The concrete back wall of the terrace garden was set with glass blocks to let light in from the neighboring garden. Evergreens provide year-round color and texture.
Another view of the garden. Willow trees surround the outdoor wicker furniture from Frontgate.

So you’re not a snob then.

Oh not at all. In fact I think I’ve lost clients by being like that. They don’t like bargains because they want to impress their friends. They don’t want a deal! They don’t! That couch isn’t leather. This fabric is fake, $22-a-yard vinyl and I fell in love with it. This is a great material! That pillow [points]…it’s a dog bed but I just loved it.

What do you do at the weekends?

Work. I’m a workaholic. We go to our country house where we have horses but we don’t ride. My husband [Richard Fiore, a developer] loves them and mucks them out and everything.

Above: A view of the exquisite bamboo garden can be seen from the master bedroom.
The metal ceiling of the master bedroom was chosen for both its thinness and stability for loft  above. Laura added the plastic wheels to the platform bed from Design Within Reach.
Left & right: Bedside reading materials are neatly stacked on bookcases from Design Within Reach.

Below: An antique Chinese medicine provides unexpected contrast to the industrial materials used through the loft including the winding steel staircase which leads to home office.  Laura was delighted to discover the mottled hues of original concrete floors when they were stripped and rebuffed.

What are you reading at the moment?

I just finished reading a page-turner, The Queen’s Fool [by Philippa Gregory]…the dialogue… oh my God! I have some more [by her.] Here, [takes the books off the shelf] …you can have them. Are you sure you’re going to read them? If you are, you can have them. I pretty much read ’em and get rid of ’em…why? I’m not going to read them again!

I guess you prefer to move on?

I love moving. I love a blank canvas and to purge and re-organize. I really don’t find it stressful.

— Sian Ballen and Lesley Hauge

Left: A wall of frosted glass, aluminum doors from IKEA is Laura’s answer to the perfect closet space.

Below, l. to r.: Laura and her husband Richard examining the goods; A mannequin purchased from a Chelsea display store is the perfect resting place for some of Laura’s necklaces.
The bank’s original vault with three-foot thick doors was carried up from the basement to the buildings main floor lobby.


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© 2006 David Patrick Columbia & Jeffrey Hirsch/NewYorkSocialDiary.com