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Mario Buatta probably needs no introduction to readers of this column but this extraordinarily talented, droll decorator has been giving us the slip for years. We finally pinned him down in the Manhattan apartment of one of his clients, a week before a reception at the Union Club, where the New York School of Interior Design was to be honoring him by naming their new materials library “The Mario Buatta Atelier”. Christopher Cypher, President of the NYSID rightly says, “Mario is iconic and we are proud to claim him as our own.”

So Mario, we’ve been trying to get you for years—why have you been acting so hard to get?

Because my apartment isn’t suitable for these photographs.

Why not?

Because I live in it! You wouldn’t like it. I have a leak on the ceiling in my bedroom and I freeze every night.
A view into the main entrance hall from the front entryway. An unusual globe chandelier is from John Rosselli.
A view into the stunning living room from the main entrance hall. Thirty-foot barrel-vaulted ceilings create a sense of unending space,
A handsome leather and nail-head front door opens up to a silver-papered elevator entrance. Fresh flowers from Andrew Pascoe fill the top of the iron and glass entrance hall table.
Is it true that you have no assistants at all?

I don’t anymore, no. I do everything myself. I also cut my business in half recently because I was sick, again … I had E-coli eleven years ago and after that I let everybody go … I thought, I can’t work this hard anymore … I don’t want to talk about it. I don’t even kiss anybody and I get sick.

Not many designers manage without assistants.


You know by the time you tell an assistant to do this or that, you could do it yourself. And then half the time they’re on the phone gagging with somebody … it’s a waste.
Mario injected light and life into the vast living room with celadon walls and a double-barrel ceiling covered in silver leaf.
Mario added classical cornices and faux-marbre pediments above the doors to accent the room’s height.
Looking across the pastel pillows toward a silk-covered chair in a cheerful flower pattern.
Looking across the grand living room toward the front entrance hall. Classic and modern furnishings, many from the client’s former apartment, have been successfully incorporated into their new living room.
Well give me some of the names of the people who have worked for you.

Oh, Thomas O’Brien, Todd Romano, Scott Salvator … I was tough [to work for]

Why are you tough?

Because I’m a perfectionist. And I like to get things done. I hate mistakes. They drive me crazy.

Do you get angry? Do you shout?

Do I get angry? I probably yell … I don’t know. How else can you be a boss? But I mean they got a good training.

How do you cope with criticism then?


I hit people with my walking stick.
Coral pillows and contemporary art add a bit of pop to the north wall of the living room.
Crystal pagoda sconces from Liz O’Brien add a whimsical touch to the living room.
Bright silk pillows perk up the quiet colors of the living room sofa.
Fresh orchids bring extra color into the apartment during winter months.
You’re a jokester, Mario.

I am a jokester, always have been. My father was too. He was not only a jokester, but he was also a philosopher. Every morning he would get up, have his coffee and read the paper. He would read the obits and I would say, “Anybody die today that you knew?” and he would say, “No, but a lot of people who never died before just did.”

Do you still carry the [plastic] cockroach in your pocket?

I still have my water bug, Harold. I don’t have him with me today. [These clients] love Harold because when I did their last apartment, I put Harold in their freezer and when they opened up the freezer to get some ice, there was Harold.

So your father was a bandleader—are you musical?

I play a hot Victrola.
Light pours into the den from floor-to-ceiling windows.
The penthouse terrace was designed to be a mélange of Chinese and Mediterranean elements.
A pagoda-like gazebo defines a seating area on a section of the spectacular penthouse terrace. The furniture is from Kreiss. An oversized fireplace keeps guests warm in cooler months.
I liked something you said to your parents about how you preferred the ‘WASPY’ living rooms that were full of plants and books and dust.

Who said that?

You did.

Oh … they liked Deco. Everything was brand new. My parents didn’t like anything old—they considered it secondhand.

What did your parents think of your line of work? Did your father live to see your success?

He did … he didn’t understand it too much. I wanted to go to school for decorating but he wouldn’t let me. So I went to school for architecture. I didn’t care about where the pipes went, I cared where the pillows went.

Which part of the job do you like best?

Finishing it.
A pair of silver rams’ head chairs flank a French desk in a corner of the card room. Behind closed doors, the Chinese cabinet is now a bar. Faux-tortoiseshell wall covering highlights the art collection in the card room. The landscape is by He Shang. Nearby, an oil by Wilfredo Lam, hangs above a work by Carlos Merida.
Multiple tables make the dining room less formal. When necessary the octagons can be combined into one large table which seats up to 22 people. A chandelier from Vaughn hangs above the octagonal tables surrounded by blush-colored ultra-suede chairs.
Mario brought the dining room back to life by draping the entire room in a print fabric from Brunschwig & Fils. The table is set with fresh flowers by Andrew Pascoe. The gold-finished ginger jar and napkin rings are from Bergdorf Goodman. Ceramic sculpture by Chinese artist Liu Bolen stands atop the lacquered buffet in a corner of the dining room.
I know you don’t like surprises but are you sometimes surprised by the unplanned elements that emerge as you put a room together?

I like to decorate, or think I do, the way an artist paints a canvas—you do a little bit at a time, which can drive a client crazy. I’ve driven a few people to the Payne Whitney clinic … but a lot of decorators do a plan and say, “This is what your room is going to look like.” Well, God forbid. It looks great in the picture but then you see it in person, and this thing is too small and this thing is too big. You have to play with it. A house comes together over a lifetime.

So what do you think of the look where everything is white, there are no bookshelves, very few personal possessions around and so on?

I hate it. People don’t want to look as if they live in their own houses. If you look at some of the magazines and catalogs today, it’s just styling, it’s not decorating.

What would you say is the distinction between styling and decorating?


[Styling means] they just put something down for the camera.
In the bedroom the bleached-wood master bedroom floor is painted with a scattered leaf pattern.
The pastel tones of the light-filled master bedroom give the room an ethereal feeling.
Pratesi linens finish the glamorous canopy bed designed by Mario and inspired by the Brighton Pavilion.
A pair of mirrored bedside tables are from Julia Gray.
The design of stunning canopy bed was inspired by the Brighton Pavilion.
Hanging above the master bedroom fireplace, a TV is cleverly tucked behind a panel of a Chinese screen.
I have a decorator question I’ve been dying to ask and I’m glad I’ve got you to ask. I am mourning the [forthcoming] loss of incandescent light bulbs … how are decorators going to get around that?

Oh God! We’ve got to stock up on them. I think it’s a horrible thing. I hate those [eco] bulbs! They’re like blue! Very cold. And they’re hideous! And they’re dangerous. They say gases come out of them. Somebody’s making a fortune on that—that’s what this is all about. I like soft lights … I like pink.

I’m expecting a decorators’ protest march, like the people of Egypt…

I’m not going to be around that much longer so I’m not going to worry about it … but I’m going to go and get some.

You’ve been around a long time…

Oh, thanks.
To create the library, Mario combined two small bedrooms then paneled the entire room in a pickled knotty pine.
A portrait by Chiu Ya-tsai hangs above the comfy sofa on the rear wall of the library. A Chinese-themed chintz fabric from Christopher Norman covers the library reading chairs.
A hidden bookcase door on the left wall leads to the master bedroom wing.
Gracie silver paper lines the library ceiling. Mario finished the playful pointed-pendant curtain valances with bell tassels.
Well, that’s what this interview is really about—you’re being honored by the New York School of Interior Design. They’re naming the library after you.

They’re going to call it ‘The Mario Buatta Atelier’. I said they should call it The Mario Buatta ‘Italier’.

So I kept reading about your ‘title’, ‘The Prince of Chintz’ and then suddenly there was an article that called you ‘The King of Chintz” – how do you feel about succeeding to the throne?

I’m too young to be king. I’ll have to learn to stutter if I want to be king.

When you’re not working are you a reader?

Oh, yeah, I read … I like to read the covers of book jackets of books and then put them on a shelf and say, “I’ve got that book.” I don’t have much time to read. I never watch television. I only watch The Golden Girls, every night before I go to bed because the news is depressing.
• Sian Ballen & Lesley Hauge
• Photographs by Jeffrey Hirsch




© 2013 David Patrick Columbia & Jeffrey Hirsch/NewYorkSocialDiary.com