Grand Classics Films With Style screening of The Bitter Tears of Petra von Kant hosted by Marc Jacobs and Sally Singer, sponsored by Mercedes, Moet & Piaget
L. to r.: Vogue's Annie Rinella, Ali McQuade, and Allison Menell; Cynthia Rowley; Eric Villency and Olivia Chantecaille.
Marc Jacobs and Vogue’s Sally Singer hosted Indyssey Entertainment’s Grand Classics Films With Style at Soho House Tuesday night, presenting one of Marc’s favorite films, the 1972 Fassbinder film The Bitter Tears of Petra von Kant about an imperious fashion designer who falls for an opportunistic budding model. Sally began the evening telling the glam crowd “I personally want to order many of the looks in this film. It’s really wonderful how desirable all of the clothing is. Fashion is endlessly recycling its most glamorous moments. And although Mark is a lot like Petra von Kant – they both like luxury for day, and both like to mix: feathers and patterns, a jeweled bodice with a floral ribbon - I have never seen Marc direct his design assistants from a bed in his atelier, and he has never promised a model status in exchange for sex, but he can speak more on that front!”

Marc Jacobs
Marc took the stage and quipped: ”I assure you I am nothing like Petra von Kant!” and then told everyone that he first discovered Fassbinder with designer pal Anna Sui, and was fascinated visually. “That’s what always seduces me – the visual. I had done a Fall/Winter collection and presented it. Afterwards Ingrid Sischy and Sandra Brant from Interview came backstage and said, ‘We love the Petra von Kant collection’. I didn’t know the film – fast forward a couple of years later, I was introduced to the film by John Curran and Rachel Feinstein and I was just completely hooked. The amazing choreography – it seemed as though the characters were moving about on strings. It was glamorous and grotesque at the same time. I was mesmerized. After that, the movie remained in my DVD player for the next two weeks as we were working on preparing the next collection. It became wallpaper. The cinematography and the pace – I found it hypnotic. It was purely the visual that seduced me – the red nail polish on a pale blue telephone, the bits of red on the lips of her assistant, all of the mannequins and dolls – it’s one of the most beautifully laid out and art directed films. It is this film that has inspired my work for the past few months.”

Those enthralled by Marc & Sally and the brilliant film included the fashion world’s other Petra, Petra Nemcova (dazzling in Marc Jacobs), actress Lily Taylor, actress Laura Harring, Cynthia Rowley, Helen and Tim Schifter, Daniel Benedict, Frederic Fekkai, Olivia Chantecaille, Behnaz Sarafpour, Dennis Basso and Michael Cominotto, Judy Licht, Jodi Della Femina and John Kim with daughter Annabel, Milly de Cabrol, Meredith Melling-Burke, Lauren Davis, Alvin Valley, Gigi Stone, Jeffrey Slonim, Leslie Stevens, Gilles Mendel, Andrew Black, Alice Sykes, Celia Rogge (dripping in Piaget), along with President of Piaget North America Thomas Van der Kellen, and Piaget powerhouse Sue Garvey, Mercedes-Benz dynamo Claire Curran, & Indyssey Entertainment heads and hosts Katrina Pavlos, Vanessa Wingate, and Andrew Saffir.

The Grand Classics Films With Style evenings benefit the American Film Institute and are sponsored by Mercedes, Moet & Piaget. And one very lucky fashionista found herself the recipient of a Piaget watch in the goody bag on her seat in the swank screening room!
Frederic Fekkai
Lauren Davis
Vanessa Wingate, Andrew Saffir, and Katrina Pavlos
Milly de Cabrol
Lili Taylor
Sally Singer
Laura Harring
Alice Sykes
Gigi Stone and Leslie Stevens
Michael Cominotto and Dennis Basso
Andrew Saffir, Judy Licht, Daniel Benedict

Photographs by by Jamie McCarthy/PMc



Miller Theatre at Columbia University's spring gala
Mary Sharp Cronson and Norman Peck
Gisela Stromayer and Martin Proseler
Frederic Fekkai and George Votis
The Miller Theatre at Columbia University had its inaugural spring gala two weeks ago today at the Tribeca Rooftop, benefiting the performing arts center of Columbia University and honoring the outstanding work of this cultural institution.

Honorary Chairs were Columbia President Lee Bollinger, Jean Magnano Bollinger, Anne Cox Chambers and Kitty Carlisle Hart. Gala co-chairs were Schuyler Chapin, Mary Sharp Cronson, Stephanie French and Judith Lipsey. Gala Sponsors were Target and Clos Du Val.

The evening included a special performance of the works of Leonard Bernstein, featuring Tony Award nominee Rebecca Luker.

Under the direction of conductor and impresario George Steel, Miller Theatre, established in 1988 with funding from Brooke Astor and John Goelet, is an interdisciplinary performing arts organization that brings international contemporary and early music, dance, opera and mixed media to cultural audiences in the City. Over the past fifteen years it has grown into a thriving urban arts presenter attracting more than 110,000 concertgoers annually.
George Steel and Kitty Carlisle Hart
Rose Sachs and Raphael Sanchez
Olga Votis and Bill Kramer
Anita Jaffe and Suzanne Mados
Lee Bollinger and Jean Mangano Bollinger
Page Sargisson and Tommieka Texiera
Stephanie and Jon Hoffman
Ann Nitze with Henry and Margaret King
Betsy von Furstenberg, David Lewis, Kitty Carlisle Hart
Katherine Mosby and Nina Bernstein Simmons
Stephanie French and Kitty Carlisle Hart

Photographs by Patrick McMullan



Andy Kaufman Lives On
Dennis Hof and Bob Zmuda
George Shapiro, Lynne Margulies, Bob Zmuda, and Andy Dick
Andy Kaufman, for those of you who never knew or don’t remember, was a very quirky comedian in the late 70s and early 80s, who had a running part on the TV sitcom “Taxi” and who died of lung cancer in his mid-thirties (he never smoked). Aside from his frequent appearances and fame from “Taxi” and “Saturday Night Live,” he had a very big presence in L.A., where I happened to be living at the time, where you could see any number of famous working comedians at Elaine Shore’s (Pauly’s mother) Comedy Store and the Improv on Melrose. Robin Williams, who was already a big big star by then, was another. Williams often worked the Improv and even the sidewalk out front after the show. L.A. was a working comedian’s town.

Mancow introduced the show at the House of Blues
Kaufman, born and bred in Great Neck, Long Island, a largely upper-middleclass and striving community, a kind of Jewish version of Greenwich, was a nut. He was its flip side. I don’t mean that disrespectfully. I mean that he was entirely who he was. You never got the feeling he came back to anybody else’s reality. He was always out there. He even wasn’t funny all the time, but that was funny too. Funny in that he kept you watching and wondering about what was coming next. He was in the terms of the culture, the jester, the clown, through and through; very endearing and sad at times, even when at his most remote: the dear departed.

Then about 1982-83, it became known that he was ill, with cancer. Kind of shocking for such a young and brilliant talent; kind of unbelievable. And deeply sad. But it turned out to be true. And in May 1984, he died at Cedars-Sinai Hospital. He was thirty-five years old. It was like, how could this be true?

It also turned out that Andy Kaufman treated his ill-health and impending death with the same unique take on things. He turned it into the notion that his death was going to be a stunt, that he was faking it, that he’d disappear, go off somewhere, and return 20 years later. From the dead. Like everything else in his “work” (which was his life), there was a credibility that continued to intrigue and amuse. And so when he actually died, the question remained for some: would he be back?
Tony Clifton and the Cliftonettes rock the House of Blues
Twenty years later was last Sunday, May 16th, and out in Hollywood at the House of Blues on Sunset there was an event created around Andy Kaufman’s incarnation (and perhaps “re”). Present at the creation were his best friend and head writer Bob Zmuda, the real George Shapiro (played in the movie by Danny DeVito, the real Lynne Margulies (played in the movie by Courtney Love), Man on the Moon screenwriter Larry Karaszewski, Caroline Rhea, Bob Odenkirk, Andy Dick, Paul Rudd, Phil Hendrie, Jerry “The King” Lawler, Rich Voss, Zack Galifianakis, Budd Friedman, George Schlatter and a rare performance by Tony Clifton and his Steamy Cliftonettes.

Tony Clifton at one time was thought to be a character created by Andy. In fact, he was a character borrowed for re-creation by Andy (and very successfully on SNL). And the celebrated with a reception, a performance, a premiere screening, a conga line to the Comedy Store down the street, along with Star performances at the Comedy Store and then a midnight candlelight vigil on Sunset. The great man returneth no matter what. The hell with Great Neck and all that, right Andy?
Dennis Hof with his girls and Ron Jeremy
George Shapiro and Budd Friedman
The Cliftonettes
Jerry Lawler with his girlfriend and Bob Zmuda

Photographs by Wayne Williams



Randall's Island Sports Foundation Icahn Stadium dedication ceremony and Cirque du Soleil Family Benefit
Randall's Island Sports Foundation Cirque du Soleil Family Benefit Chair Carolyn Murphy and daughter Dylan in Icahn Stadium with RISF Chair Rich Davis, RISF President Karen Cohen, and children from RISF Kids Island Club, an after school/summer camp for children of East Harlem and the South Bronx.
Karen Cohen, Carolyn Murphy and daughter Dylan, Tamara Tunie, and Aerin Lauder Zinterhofer and son
Kelly Ripa with Marc Consuelos and children



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