The short and the long of it;

From Page Six in the New York Post:

July 18, 2003 -- THE Hamptons have gone gay. First, several men were busted for sex acts on a public beach where men like to cruise at night. Now some Hamptonites are shocked over incidents reported by Southampton Press "Beachcomber" columnist Steven Stolman. One society grand dame points to a recent story on the "800 suntanned and sun-kissed gang of fellas at Rick Marek and Ken Lewis' beachy bash." Our high-born source says she's dismayed by "the sleaze that has invaded the scene this summer.

Although I missed this one, I’ve been to a couple of those “beachy bash” parties given each summer by Mr. Marek and Mr. Lewis at their sprawling waterside property in Southampton. It’s an annual Fourth party on a rambling manicured back lawn that runs down to the bay.

It’s a big crowd, but 800? of the “suntanned and sun-kissed?” Sounds like hype to me, especially considering that Mr. Stolman is in the retail business by day and Mr. Marek made his fortune in real estate – two professions where they’re always throwing big numbers around.

Other than that, it’s is one of those humongous cocktail parties in a lovely setting. Except. The guest list. Mostly men. Beach-duded up of course; with no small preponderance of Ralph Lauren. Age range from twenty-something to over-the-rainbow. Mostly known to be gay. Except for those who are known to be not — which may or may not include the female guests, I don’t know.

All very civilized and mild, this annual do. Perhaps the most exciting thing that ever happened to this party was that it made Page Six.

And as for the boys at the beach in East Hampton – that’s another story, and a very old one to the denizens of that community. Old as the neighborhood, even older. And so are the arguments for and against.

Now, I’m told the main objection comes from one of the newer residents along that beach. Someone who paid millions for his property and doesn’t like the idea of men cavorting in the dark down by the oceanside at all. Period.

The beaches out there are abandoned after the sun goes down, and dark and remote. Except for the great big houses dotting the landscape every few hundred yards, lighting the night like beacons of the good life as imagined by F. Scott Fitzgerald.

So why do people go down to that beach to have sex? It sounds weird except when I think back to my teenage years, when that kind of nocturnal activity was commonplace; it was called “necking.” It was always at some remote spot, boys and girls – on a beach, overlooking a river, up on a hilltop. Although days people stayed in their cars. Although who knows.
Beaches were always the best place to go, of course, with all that soft sand and the surf thundering on the shore — the 21st-century reality TV version of “From Here to Eternity.” 21st-century style.

Sex. These days a lot of people don’t stay in the cars, their houses or, god knows, their clothes. And they don’t care what you or I think. Some even go on television and do it. Men and women. About ten years ago when I was first back in New York and living at a friend’s apartment at 10 Gracie Square, I got home one night about quarter-to-two and noticed a naked body, lying supine, knees propped up, arms spread, lifeless on the pavement; right under a streetlamp, just a few steps from the riverside.
Alarmed and thinking maybe I was looking at death, I tentatively walked the few yards over to see if it was what I thought it was.

And it was. A naked body. A fifteen-year-old girl who lived in the building. She was lying there while a young boy who looked to be about the same age, lying prone below her waist (his clothes on), with his face between her legs. Aware of my presence, he stopped what he was doing, propped himself up on his elbows and looked up at me. And then she opened her eyes and languidly gazed in my direction also. Then they went back to their business, no problem.

And I? I went back to the building’s entrance, dumfounded, and told the doorman. Like: “there oughta be a law..!!” Well, the doorman wasn’t going to do anything like call the cops because the girl lived in the building. He wasn’t about to cause trouble for her parents. Or, most importantly, himself.

Me, I went up to bed, preoccupied with thinking how those two didn’t have to “do it” under a streetlamp only yards away from her father and mother’s front door. Unless they wanted to. Which of course they did. I can understand that. But it annoyed me, call it prudish, call it hypocritical. It annoyed me.

Outside! Under a streetlamp! On the dirty pavement where (yuck) my dogs pee and dump everyday! Couldn’t they have been private about it? Why not in the grass of the park, splendor in the grass only a few more yards away? Yeah, David, why?!

I saw the girl in the elevator a couple of times after that, Always with her mother. If she had any recollection of that night, I couldn’t tell. Not long after the family moved away.

When I was a kid, my older sister had a school notebook in which her friends wrote little jingles and rhymes. One of them seemed funny to this boy, although I had no idea what it meant at the time, and has stuck in my craw to this day:

Don’t make love by the garden gate.
Love is blind but the neighbors ain’t.

And they talk. And some will even call it sleaze. Which is a thinly veiled term of prejudice. Nowadays.



Starlight Star Bright


The first time I heard the Starlight Orchestra was at a City Harvest benefit at the Pierre. I walked into the ballroom filling up with guests and at the other end of the room the orchestra was playing and a male vocalist was singing “Come Fly With Me” and sounding like he was channeling Frank Sinatra. In fact I said to Wendy Vanderbilt who was standing next to me, “that guy sounds like Frank Sinatra.”

Valerie Romanoff and The Starlight Orchestra

“ That’s because he is Frank Sinatra,” she said, adding, “he’s lip synching.”

“ He is not ... !”

“ He is!” she stated with authority, “just look closely.”

So I did. And he was ... not lipsynching. Although it was hard to believe. He sounded exactly like Frank Sinatra. And soon so I was I, to my own ears, sounding like Frank Sinatra, singing and dancing along to the stuff.

It was the Starlight Orchestra. And one of their male vocalists.

Another time a friend of mine hired them for her daughter’s wedding. She told me she liked them because they could do the Shirelles and the Supremes and the Rondelles and Chubby Checker and that was her day. And they did; sounding just like the above.

Then one day a friend of mine invited me to lunch at Michael’s with a woman named Valerie Romanoff who had her own orchestra ... called The Starlight Orchestra, and one of her singers, Marianne Bennett. Oh. Okay.

A native New Yorker, Valerie grew up in a closeknit family that was in the wholesale meat business. In her dreams she aspired to be a performing musician but in her daily life, she worked in the family business until she was in her twenties. Somewhere along the line she decided to make the leap into a musical career.

The business-trained woman, however, was thinking practically. In 1990, she and a friend started their own orchestra. Her father who thought she’d be going into the family business thought she was crazy. He couldn’t see what she could see: a business.

Now the Starlight Orchestra is doing business with some of the biggest names in New York, indeed, and in the country. They played for Michael Douglas and Catherine Zeta-Jones’ wedding, at private parties for Clive Davis and Bon Jovi, for many Fortune 500 companies including Merrill Lynch, Morgan Stanley, Citigroup as well as charity galas such as City Harvest, Princess Grace Foundation and Society for Memorial-Sloan Kettering.

“ A party, a wedding, a birthday, a charity benefit, a get together is ultimately successful because of the music,” she told me over lunch. “You can have the best of everything, the best food, wine, champagne, caviar, spend a million dollars, but the music makes or breaks it. If the music’s not great, there goes the party.”

She was telling me something I knew but never thought about. Of the hundreds of parties I’ve covered, the best ones always have great music for dancing that keeps the dance floor mobbed and the crowd having a good time. The orchestra leader calls the shots.

Valerie Romanoff and Marianne Bennett
Valerie and the women who run the Starlight Orchestra regard themselves as an entertainment company. With Valerie as the CEO. The Starlight client often relies on them to create an evening of entertainment. Along with Marianne Bennett, Romanoff has assembled a great roster of New York City’s top singers, dancers, musicians, composers, arrangers, choreographers and producers.

When the Starlight team goes out to plan the party’s entertainment, “the client often doesn’t know what they want until they learn what they can have, and then we plan the entertainment around that.” My friend who hired them was an exception. She knew. She wanted the Shirelles, the Rondelles, the Supremes, etc. And she also knew, from experience, that they could deliver.

I saw them a couple of weeks after our lunch. It was at a black gala at the Pierre. This night there was a lot of the standard dance music and then once the house got going, the music swung into rock and everyone left their tables for dance floor. It stayed that way till well past eleven. Late for a weeknight in New York for this crowd, but they couldn’t resist. Valerie Romanoff and the Starlight Orchestra had everyone out there and they couldn’t let go.

Starlight Orchestras
180 West 80th Street
New York City 10024
(212) 595-0999
Fax (212) 595-2706



Photographs by Jeff Hirsch/NYSD.com

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© 2006 David Patrick Columbia & Jeffrey Hirsch/NewYorkSocialDiary.com