A warm-as-early-September early November autumn weekend in New York; bright and sunny and dry. And Halloween.


Finally, the trees in the park are turning that deep autumnal yellow that after a rainfall coats the roads and sidewalks and dapples the green lawns of the parks. It makes me think of the brisk, cold weather coming, and warm cozy Saturdays and Sundays, with steaming hot chocolate after coming from outdoors, bundled up in woolens (including cashmeres if that is your wont); as romantic and sentimental as it sounds.

Last week was the annual gala dinner dance of the American Associates of the Royal Academy Trust. This year they celebrate their 20th anniversary. This is one of those gilted benefits, always held at the Rainbow Room – one of the greatest rooms in the City, now seventy years old, still beautiful and resplendent with its views of the metropolis. The women dress, some of the jewels come out. The men are in black tie and there is a preponderance of the silver and the greying, (and the blonde and the streamlining, if you catch my drift), lending an air of substance, illusory and otherwise, to the evening. Each year an eminent guest is honored, usually a member of the Royal Family. This year’s honored guest was Prince Michael of Kent who attended with Princess Michael of Kent.

The organization reflects a 300 year history of the Royal Academy of Arts (Professor Philip King CBE, President), which was founded under the auspices of George III. The Royal Academy’s first director was Joshua Reynolds, followed by an American painter, Benjamin West.

The American Revolution then quickly ended this country’s relationship with the Royal Academy for more than a century. However, all of that has been changed in the past twenty years when the American Associates have raised approximately $30 million for the Royal Academy. As Prince Charles, who is Honorary President of the Royal Academy Trust, noted in this evening’s program, the Americans’ generosity has “given (them) the magnificently restored American Associates Gallery, the splendid Sackler Wing of Galleries and the most welcome new Annenberg Courtyard.

Whatwith the Windsors’ occupying the throne of their great-great-great-great-great-grandfather, the Anglo-American relationship has survived intact. George III’s granddaughter, Queen Victoria, was also daughter of a Duke of Kent.

The new British Ambassador Sir David Manning gave the opening remarks. Prince Michael also spoke briefly. The co-chairs for the evening were Andrey Gruss, Frances S. Hayward and Ann Nitze. Dinner co-chairs were Anna Mann, Sandra Payson and Tom Quick. Young fellow co-chairs were Serena Lese and Tina Radziwill. Rodney Gow OBE and Martin Sullivan were corporate co-chairs. And through the efforts of all the abovementioned, the Americans raise a substantial sum to continue the Royal Academy’s substantive contribution to our often uneasy culture.

This is also a fairly tame evening, as galas go in New York,
and a lovely one. The speechifying is brief, always informative, sometimes, depending on the speaker, sprinkled with wit. Bob Hardwick and his orchestra played and the round (and sometimes revolving) dancefloor was always crowded. A good example of the public imagination of a society gala. The Rainbow Room being a Cipriani establishment, the menu was their rich and tasty signature – a salad of haricot vers and lobster, rack of lamb, baby artichokes Alla Romana, fresh veggies and some kind of fancy potato concoction. Dessert was Baked Alaska with strawberry sauce and a mixture of bluebs, strawbs and raspberries at the center. Rich, didn’t finish it.

I was seated at Princess Michael’s table. The Princess has just finished writing her biography of Marie de Medici, the mother of Louis XIII. Simon & Schuster will publish it next year. I heard a short lecture the Princess gave about Marie a year or so ago. It was reported somewhere in these pages. Fascinating, amusing and provocative, if you have even a passing interest in history. Princess Michael, as I’ve written here before, is a compelling storyteller with the voice and style of an actress as if portraying the perfect princess telling an excellent royal tale of woes and woebegones.




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