Autumn in Central Park
Looking northwest across Central Park from a rooftop on 72nd and Fifth Avenue. Photo: JH.


What The Butler Knew


The current chapter of the Saga of the British Royal Family came crashing through this past week. The matter of the secret Diana Tapes and What the Butler Knew provoked Prince Charles to publicly admit that he was the subject of a rumor that alleged a “senior member of the royal family” having been caught in a sexual moment with a senior member of the Prince’s household staff.

I first heard this story last year and made reference to it in the Diary last January, without mentioning names.

And if I heard it, then there must have been hundreds if not thousands of others who’ve heard it and more. Stories about the prince being gay have been circulating for years, especially among gay members upper circles of London. Which is not to say they are true.

The roots of this particular drama go way back. Diana was very much alive and very much the scorned woman. Charles and his set of advisers (which evidently included the mistress) and admirers believed they could terminate Diana’s importance in the scheme of things. One example of their approach to the problem? Her title was rescinded. Her Royal Highness she could no longer be. Princess, yes; but HRH? Nu.

But did it really matter in the big wide world where Diana held sway? Diana was still the princess (and the star of the world) and Charles was still the dorky husband, the guy with the perpetually wrinkled brow who was always adjusting his shirt cuffs.

It is all just very unfortunate. He never got it. At this age, it is not unreasonable to think that he ever will get it. He can’t be faulted; he’s lived all his life in a most difficult circumstance: waiting for the death of his mother. He’s lived his life before the loving, adoring, and now leering eyes of the world, from birth and childhood to his investiture of the ancient title he now bears, to his coming of age and thence fatherhood.

But the world saw only the trappings of what is really a most terrible, even cruel dilemma for a man. The system successfully emasculated him.

It is also now being rumored that the courtiers around Buckhouse (which is what the staff calls Buckingham Palace) are watching this matter of Charles and the Diana Tapes very carefully. And not haplessly, it is said, but hopefully.

The question has been posed: is this matter, now almost a decade old, being used to make it possible for the Prince to step aside? Has it already been concluded by those who draw the conclusions that Prince Charles, like his great-uncle David, briefly Edward VIII and later the Duke of Windsor, is as weak and inept as he appears to be, and therefore in the name of what’s best for the House of Windsor and the Realm, must go?


The passing of a New York Grande Dame
CZ at The Frick. October 2003.
CZ on the cover of the April 2003 issue of Quest magazine
At a cocktail reception for CZ Guest and her book Garden Talk; Ask Me Anything. April 2002.
CZ Guest passed away at the age of 83 on Saturday after a long bout with cancer which she characteristically treated as nothing more than annoying. When she lost her hair from chemotherapy a few years back, this lifelong member of the Best Dressed List simply put on a scarf and went back out into the world, chic as ever. When her hair began to grow back, she sported a new crewcut, which she kept thereafter, and even had the wit to pose for a Nike (or was it Adidas?) ad wearing a sneaker on her new coiff as if to suggest a Mohawk.

She was one of the most photographed women of the American 20th century. She was chic and elegant with an aristocrat’s irreverence — the quintessential personification of the term “the Beautiful People.” She enjoyed publicity which she treated as a kind of soft notoriety. Although, as much as she was willing to be interviewed and to pose for the camera, she claimed it never occurred to her to have “saved” any of the articles or the pictures.

Mrs. Guest married a Phipps heir, Winston F.C. Guest when she was 27 and bore him two children, Alexander and Cornelia. Very early into the marriage, she had a acquired a certain fame that remained with her throughout her life. As a young adult she was known as a socialite horsewomen (and was photographed for the cover of Time). As she got older she became known for her gardening and turned it into a career selling books, garden tools and implements and writing a gardening column for 350 newspapers. She had a press agent’s genius for promotion and never tired of selling her wares.

She liked people and befriended a variety of personalities from the Duke and Duchess of Windsor to movie stars to Andy Warhol to gangster’s molls to all kinds of people unknown to the world but nevertheless fun and full of beans. She also loved dogs and always rescued lots of them, keeping them living well on her Long Island estate (which recently served as background in a Ralph Lauren advertising campaign — in which she makes a brief appearance).

It can be said fairly that she lived her life to the fullest. There was the famous nude Diego Rivera did of her before she was married, to hang, however briefly, over the bar in the Hotel Reforma in Mexico City. Most women of the society of that time (the 1940s) would have been scandalized by the painter’s request, not to mention its subsequent public unveiling. Not so for the former Lucy Cochrane, a girl from the Brahmin side of Boston, Mass. Like everything else she participated in, she thought it was fun.

As irreverent and free-thinking as she could appear to be, she had little patience for those who did not follow the rules that maintained the status quo. For years, she and Mr. Guest kept a place in town in the penthouse at One Sutton Place South. One day she ran into a new resident of the building, a woman about her age, also an aristocrat with a famous name, carrying some groceries through the lobby to the elevator. “Groceries are delivered only through the service entrance,” she reprimanded; “rules are rules.”

On a Monday night, three weeks ago, at the Autumn Dinner of The Frick Collection, I was wandering around having a look and taking pictures when I saw her looking camera ready, casually yet elegantly sitting on a bench in the atrium with her friend. Naturally I asked if I could take her picture and naturally she agreed, pointing out how beautiful the atrium garden we were in looked on this night. I took one picture (with the Digital), didn’t like the result and asked if she minded if I take another. Not a problem. I took another, which appears above.

The moment reminded me of an incident that had occurred a few months ago when she was being photographed for a magazine layout. She arrived on time, which was her habit, only to find that they weren’t ready for her. A young woman who was being photographed before her was holding up the process (and everybody else) because she didn’t like her hair and makeup.

When Mrs. Guest realized vanity was the problem, she stepped right in.

“ Look,” she said to the young woman in her soft, flat, but authoritative mid-Atlantic accent, “I’m a lot older than you and I’ve been doing this all my life. It’s very simple. Get in front of the camera and let them take your picture. Then get out of here so the rest of us can get on with it.”

The young woman heeded the advice and CZ got on with it, which was her wont.


Tim Lovejoy and Christian Brechneff's joint exhibition
Tim Lovejoy, Liz Smith, and Christian Brechneff
Mrs. and Mr. George Ratliff-Frelinghuysen and friend
Judy Auchincloss and Dominick Dunne
Tim Lovejoy and Christian Brechneff held a sensational joint exhibition of their paintings last week over at Bunny Williams and John Rosselli's Treillage on East 75th Street. The artists who have hundreds of friends and fans drew a big crowd and there were red stickers on lots of the exhibition which runs through this week.
Mr. and Mrs. Archibald Gilles
Douglas Baxter and Lynn Nesbit
Mrs. James Hougton and Carolyn Gregg
L. to r.: Arnold Scaasi and Brooke Hayward Duchin; Karen Lerner and Dominick Dunne; Mrs. Hamilton Fish Armstrong and Hope Cooke.


Here's a sampling Brechneff's paintings
Winter
Spring
Fall
 



City photographs by Jeff Hirsch/NYSD.com; Lovejoy photos by Devaunshi Mahadevia

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© 2006 David Patrick Columbia & Jeffrey Hirsch/NewYorkSocialDiary.com