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92NY presents Angela Hewitt, piano & Orpheus Chamber Orchestra play Bach
November 17, 2022
The 92nd Street Y, New York (92NY), one of New York’s leading cultural venues, presents Angela Hewitt, piano & Orpheus Chamber Orchestra play Bach, on November 17, 2022 at 7:30pm ET at the Kaufmann Concert Hall. The concert will also be available for viewing online for 72 hours from time of broadcast. Tickets for both the in-person and livestream options start at $25 and are available at 92ny.org/event/angela-hewitt-and-orpheus-chamber-orchestra.
Two 92NY favorites – the Orpheus Chamber Orchestra and pianist Angela Hewitt perform together on the 92NY stage for the first time! Their program of Bach keyboard concertos marks Hewitt’s return following her historic four-year 92NY “Odyssey” of Bach’s complete works for solo keyboard, and continues the lifelong immersion in the composer’s music that has earned her renown as the Bach pianist of our time. Hewitt and Orpheus toured together with this repertoire in 2010 to great acclaim, and together they bring radiance and new revelations to this timeless, exuberant music.
Bach, Keyboard Concerto No. 4 in A Major, BWV 1055
Bach, Keyboard Concerto No. 2 in E Major, BWV 1053
Bach, Keyboard Concerto No. 5 in F Minor, BWV 1056
Bach, “Triple” Concerto for flute, violin, keyboard in A Minor, BWV 1044
Bach, Keyboard Concerto No. 7 in G Minor, BWV 1058
About the Artists
Angela Hewitt occupies a unique position among today’s leading pianists. With a wide-ranging repertoire and frequent appearances in recital and with major orchestras throughout Europe, the Americas and Asia, she is also an award-winning recording artist whose performances of Bach have established her as one of the composer’s foremost interpreters. In 2020 she received the City of Leipzig Bach Medal: a huge honour that for the first time in its 17-year history was awarded to a woman.
In September 2016, Hewitt began her ‘Bach Odyssey’, performing the complete keyboard works of Bach in a series of 12 recitals. The cycle was presented in London’s Wigmore Hall, New York’s 92nd Street Y, and in Ottawa, Tokyo and Florence. After her performances of the complete Well-Tempered Clavier at the 2019 Edinburgh Festival, the critic of the London Times wrote, “…the freshness of Hewitt’s playing made it sound as though no one had played this music before.”
Hewitt’s award-winning cycle for Hyperion Records of all the major keyboard works of Bach has been described as “one of the record glories of our age” (The Sunday Times). Her discography also includes albums of Couperin, Rameau, Scarlatti, Mozart, Chopin, Schumann, Liszt, Fauré, Debussy, Chabrier, Ravel, Messiaen and Granados. The final CD in her complete cycle of Beethoven Sonatas (Op.106 and Op.111) will be released in 2022. A regular in the USA Billboard chart, her new album Love Songs hit the top of the specialist classical chart in the UK and stayed there for months after its release. In 2015 she was inducted into Gramophone Magazine’s ‘Hall of Fame’ thanks to her popularity with music lovers around the world.
Conducting from the keyboard, Angela has worked with many of the world’s best chamber orchestras, including those of Salzburg, Zurich, Lucerne, Basel, Stuttgart, Sweden, and the Britten Sinfonia. One recent highlight was her debut in Vienna’s Musikverein, playing and conducting Bach Concertos with the Vienna Tonkünstler Orchestra. In 2021/22 concerto performances include the Royal Stockholm Philharmonic, Helsinki Philharmonic and Toronto Symphony orchestras, Orchestra Ensemble Kanazawa and Concerto Budapest (UK tour), while recitals take place in London, Rome, Leipzig, Dortmund, Tallinn, New York, Philadelphia and Tokyo, among many others. In July 2022 Angela is Chairman of the Jury of the prestigious International Bach Competition Leipzig.
Her frequent masterclasses are hugely appreciated. When all concert activity abruptly stopped in spring 2020 due to the pandemic, Angela went online to share daily offerings of short pieces—many of which form the basis of teaching material. Her fans were thrilled, and she was happy to inspire them and stay in touch.
Born into a musical family, Hewitt began her piano studies aged three, performing in public at four and a year later winning her first scholarship. She studied with Jean-Paul Sévilla at the University of Ottawa, and won the 1985 Toronto International Bach Piano Competition which launched her career. In 2018 Angela received the Governor General’s Lifetime Achievement Award, and in 2015 she received the highest honour from her native country – becoming a Companion of the Order of Canada (which is given to only 165 living Canadians at any one time). In 2006 she was awarded an OBE from Queen Elizabeth II. She is a member of the Royal Society of Canada, has seven honorary doctorates, and is a Visiting Fellow of Peterhouse College in Cambridge. In 2020 Angela was awarded the Wigmore Medal in recognition of her services to music and relationship with the hall over 35 years.
Hewitt lives in London but also has homes in Ottawa and Umbria, Italy where fifteen years ago she founded the Trasimeno Music Festival – a week-long annual event which draws an audience from all over the world.
Orpheus Chamber Orchestra is a radical experiment in musical democracy, proving for fifty years what happens when exceptional artists gather with total trust in each other and faith in the creative process. Orpheus began in 1972 when cellist Julian Fifer assembled a group of New York freelancers in their early twenties to play orchestral repertoire as if it were chamber music. In that age of co-ops and communes, the idealistic Orpheans snubbed the “corporate” path of symphony orchestras and learned how to play, plan and promote concerts as a true collective, with leadership roles rotating from the very first performance.
It’s one thing for the four players of a string quartet to lean in to the group sound and react spontaneously, but with 20 or 30 musicians together, the complexities and payoffs get magnified exponentially. Within its first decade, Orpheus made Carnegie Hall its home and became a global sensation through its tours of Europe and Asia. Its catalog of recordings for Deutsche Grammophon, Nonesuch and other labels grew to include more that 70 albums that still stand as benchmarks of the chamber orchestra repertoire, including Haydn symphonies, Mozart concertos, and twentieth-century gems by Stravinsky, Schoenberg, Ravel, and Bartók.
The sound of Orpheus is defined by its relationships, and guest artists have always been crucial partners in the process. Orpheus brings the best out of its collaborators, and those bonds deepen over time, as heard in the long arc of music-making with soloists such as Richard Goode and Branford Marsalis, and in the commitment to welcoming next-generation artists including Nobuyuki Tsujii and Tine Thing Helseth. Breaking down the barriers of classical repertoire, partnerships with Brad Mehldau, Wayne Shorter, Ravi Shankar, and many others from the sphere of jazz and beyond have redefined what a chamber orchestra can do. Relationships with composers and dozens of commissions have been another crucial way that Orpheus stretches itself, including a role for Jessie Montgomery as the orchestra’s first ever Artistic Partner. Having proven the power of direct communication and open-mindedness within the ensemble, the only relationship Orpheus has never had any use for is one with a conductor.
At home in New York and in the many concert halls it visits in the U.S. and beyond, Orpheus begins its next fifty years with a renewed commitment to enriching and reflecting the surrounding community. It will continue its groundbreaking work with those living with Alzheimer’s Disease through Orpheus Reflections, and the Orpheus Academy as well as the Orpheus Leadership Institute spread the positive lessons of trust and democracy to young musicians and those in positions of power. Each year, Access Orpheus reaches nearly 2000 public school students in all five boroughs of New York City, bringing music into their communities and welcoming them to Carnegie Hall. Always evolving as artists and leaders, the Orpheus musicians carry their legacy forward, counting on their shared artistry and mutual respect to make music and effect change.
2022/23 TISCH MUSIC SEASON
In this first season curated by 92NY’s new Vice President of Tisch Music Amy Lam, the season will feature 39 events, more than 20 92NY debuts, 31 premieres, and four 92NY commissions. The 22/23 season includes premieres of Joseph Schwantner’s guitar quintet Song of a Dreaming Sparrow, a song cycle by Anthony Cheung, and works by Laurie Anderson, Timo Andres, Marcos Balter, Christopher Cerrone, Nicholas DiBerardino, Reena Esmail, inti figgis-vizueta, John Glover, Ted Hearne, Fred Hersch, Stephen Hough, Jimmy López, Missy Mazzoli, Nico Muhly, Angélica Negrón, Mary Prescott, Caroline Shaw, Sarah Kirkland Snider, Darian Donovan Thomas, Scott Wollschleger, Pamela Z, and more.
This season marks the first time 92NY is presenting a fully integrated concert season across genres, including performances by Kate Baldwin, Joshua Bell, Regina Carter, Angela Hewitt, Larisa Martinez, Branford Marsalis,Kelli O’Hara, Eric Owens, Pepe Romero, Caroline Shaw, Sir András Schiff, Daniil Trifonov, and Jessica Vosk.
The World Premiere of a 92NY-commissioned piece from composer Jimmy López, performed by J’Nai Bridges and theCatalyst Quartet.
The New York premiere of Difficult Grace by cellist Seth Parker Woods and dancer Roderick George, presented in collaboration with Harkness Dance Center.
An in-depth two-day Julius Eastman retrospective featuring LA-based music collective Wild Up in three concerts, as well as exhibits, and panel discussions with Eastman friends and scholars examining the life of one of the 20th century’s most iconoclastic voices.
The Bach Collegium Japan, conducted by Masaaki Suzuki with baritone Roderick Williams
92NY’s signature series exploring the American songbook, Lyrics and Lyricists, continues to explore the best of Broadway, while also highlighting significant contributions to American culture by singer-songwriters across a variety of musical genres such as Marvin Gaye, Joni Mitchell, Nina Simone, the Mamas and the Papas, and more.
Two performances as part of an ongoing partnerships with The Curtis Institute of Music.
Jazz, which has been a staple of 92NY’s Tisch season since Thelonius Monk and Charles Mingus took to the stage in 1955, will be performed by world-class musicians like Branford Marsalis, Fred Hersch, and Regina Carter not just within the renowned Jazz in July series, but throughout the year.
About The 92nd Street Y, New York: The 92nd Street Y, New York (92NY) is a world-class center for the arts and innovation, a convener of ideas, and an incubator for creativity. 92NY offers extensive classes, courses and events online including live concerts, talks and master classes; fitness classes for all ages; 250+ art classes, and parenting workshops for new moms and dads. The 92nd Street Y, New York is transforming the way people share ideas and translate them into action all over the world. All of 92NY’s programming is built on a foundation of Jewish values, including the capacity of civil dialogue to change minds; the potential of education and the arts to change lives; and a commitment to welcoming and serving people of all ages, races, religions, and ethnicities. For more information, visit www.92NY.org.