After the Palm Beach Towers opened its doors during the Mad Men era, it became a forerunner for the condominium movement that turned South Florida’s sublime seashore into the coveted high-rise Gold Coast. Sixty years ago David Nemerov left New York for Palm Beach to retire and reinvent himself as an artist. Settling at The Towers with his wife Gertrude, Nemerov died only a few seasons into his aesthetic pursuit. At the same time, a Scotland-born Fleet Street photographer Harry Benson accompanied The Beatles on their 1964 tour.
Benson’s backstage shots made him as famous as the celebrities and headline stories he framed during the next five decades. On a recent Sunday afternoon at The Society of the Four Arts Gubelmann Auditorium, the documentary film Harry Benson: Shoot First attracted a considerable audience. The film showcased many of political and cultural figures Benson photographed and was narrated by family members and friends who have worked with him, including DPC. For the Q & A following the 90-minute tribute, Benson recalled some of his experiences and most iconic f-stops. Here is a look back at the Nemerov family and some snaps of Sunday’s filmgoers and 21st-century Harry Benson.
Gertrude and David Nemerov Palm Beach Towers – 44 Cocoanut Row
Gertrude Russek Nemerov (1901-1994) and David Nemerov (1895-1963) were among the first to check-in at the gleaming Palm Beach Towers, the sleek Midcentury Modern-styled six-story apartment-hotel that replaced the ghost of Henry Flagler’s Royal Poinciana Hotel. As at home in their ten-room 888 Park Avenue apartment or Sutton Place residence as their lakefront five-bedroom aerie, the Nemerovs were joined by many of their friends who rendezvoused each winter at The Towers. Among them, industrialist and renowned art collector Nathan “Nate” Cummings who secured the penthouse across from the Nemerovs. Yet another penthouse with an aviary was taken by jetsetter the Maharani of Baroda (Sita Devi). As the chairman of the board of his wife’s family-owned Russek’s Fifth Avenue apparel shop, David Nemerov had directed the fur emporium’s transformation into a department store offering “French perfumes and silk lingerie.” In October 1957, he announced his retirement.
No sooner had the Nemerovs unpacked than they declared they would live in Palm Beach year-round. Ensconced with air-conditioning and panoramic views, the couple could take the elevator to the complex’s Poinciana Room, offering the best Cantonese cuisine with Hawaii’s #1 chef, or step next door to Schrafft’s, located in the Royal Poinciana Plaza shopping center. Rather than become yet another real estate agent, David Nemerov set out to be a full-time artist. A former “Sunday painter,” he spent what became the last several years of his life painting still-lifes and landscapes in his rooftop studio. His motifs were popular among Palm Beach collectors with the Worth Avenue Gallery exhibiting his work. In November 1958 Ruth Butler’s Gallery 28 in New York showed fifty of his “vivid florals.” Among the Nemerovs’ houseguests were their equally creative three children, Howard, Diane and Renee. Born into a sheltered world of chauffeurs and nannies, each of them developed their own separate aesthetic path whether contrary to or enabled by their parents’ substantial wealth or flawed parenting skills.
In between cocktail parties and mah-jongg, Gertrude, nicknamed “Buddy,” and David welcomed their youngest daughter, painter and sculptor Renee Sparkia, her husband novelist-artist Roy Sparkia. Among Roy Sparkia’s best-selling crime novels, The Vanishing Vixen, Boss Man, and my favorite title, The Dirty Rotten Truth. The couple’s representational Seven Wonders of the World (1963) simulated stained-glass 5-foot wide by 7-foot high panels were installed in the lobby of the Empire State Building, regarded then as the 8th Wonder of the World. Also at Palm Beach, their son Howard Nemerov, the nation’s two-time poet laureate, novelist, Pulitzer Prize-winner, and National Medal of Art recipient, whose novel Homecoming Game was dramatized for Broadway by HowardLindsay and Russel Crouse. During WW II, Nemerov and his wife Peggy Russell married in London.
On April 8, 1958, The Palm Beach Post reported: “Mr. and Mrs. Allan Arbus have arrived from New York City to be the guest of Mrs. Arbus’ parents Mr. and Mrs. David Nemerov at the Palm Beach Towers.” Diane and Alan Arbus had taken up commercial and fashion photography, their work appearing in Harper’s, Glamour and Vogue. Within months of their visit to Palm Beach, the couple separated. For the next several years Diane Arbus focused her Rolleiflex on the disregarded. Her portraits gathered from circus sideshows, tenements, drag shows, and nudist camps, made for a series of images that placed her at the forefront of 20th century art. “She was a famous figure around New York carrying around this big load of cameras. She was a delicate girl, even her speaking voice was delicate,” recalled Gertrude Nemerov in a local newspaper interview following her daughter’s death in 1971.
During the mid-1960s Harry Helmsley and his New York real estate organization acquired the Palm Beach Towers. Following his 1972 marriage to Leona Roberts, the couple took an 1,800-square-foot penthouse apartment at The Towers. Eighteen months later during Thanksgiving weekend both Harry and Leona ended up at Good Samaritan Hospital in West Palm Beach with knife injuries, making for one of Palm Beach’s unsolved “cold cases.” Harry had a minor wound in his arm and was released; Leona was stabbed in the chest and spent a week in the hospital, according to newspaper reports. Whether there was actually an “intruder” or whether it was a case of domestic assault has never been resolved.
In 2002, after some residents described the lobby as looking like a nursing home with an institutional look, the Palm Beach Towers undertook a three-year $2.5 million renovation headed by Habitat Interiors, a local firm headed by designers Ken Elias and Robert Lagna. ” We redesigned the reception desk and introduced the cherry-and-elm wood paneling for the front desk, stairway panels, and the lobby’s square concrete columns faced with mirrors,” said Elias. “We also enhanced the space with area rugs, accessories, and custom seating areas,” the designer added.
Palm Beach Towers
2017
2 April 2017
Harry Benson: Shoot First
The Society of the Four Arts – Walter S. Gubelmann Auditorium