Revisiting and returning to the collection of a friend

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Pierre Durand in the living room of his Fifth Avenue apartment, photographed by JH in 2008.

Friday, January 21, 2022. Cold in New York, after a bright sunny day with temps reach up into the 40s, and dropping below freezing by mid-evening, heading into the mid-teens by late night.

Today our subject is Pierre Durand, a friend who died earlier last year after a long illness that at times seemed as if he had conquered it. Pierre was born in Lima, Peru to an Italian mother and a Peruvian father of French descent. If you were to meet him, he was very American in his manner and presence (and accent) but you also could imagine him being a Euro, particularly French.

Pierre in his Fifth Avenue apartment.

I knew him the way we New Yorkers know a lot of people — casually through social activities and mutual friends and acquaintances. I knew he was basically a serious and scholarly sort of fellow who had a very successful Wall Street career. Although in the mid-1980s he and a friend and partner Khalil Rizk started the Chinese Porcelain Company, a prominent Park Avenue establishment on the corner of 58th Street. However, Rizk died  prematurely in 2001 and  although still a Wall Streeter, Pierre continued running the business.

He’d first come to America when he was 17 to study Industrial Engineering at Cornell and then went on to get his MBA at Columbia. He’d met Khalil when at Cornell and he became Pierre’s business and life partner, as well as a great influence in his collecting.

His sister Giselle said Pierre was born with a “unique eye” and was always “very cultivated. He would read a lot and get input from everywhere.”

Giselle loved when they would travel together “because Pierre could see what no one else saw, whether it was about an antique store or modern art,” adding, “When he was  very young he collected stones, shells, fossils and stamps. As he got little older, Giselle recalled, he would buy ceramics with his pocket money.

He had a very calm personality. Always courteous and warmly friendly, although there was nothing about his social conduct to make you think he was wildly successful financially or that he had a strong artistic sensibility.

I knew him only as a social personality, someone with whom I shared mutual friends and would see at dinners and at galas. He was one of those men who was equally reserved as well as friendly and ran the Chinese Porcelain Company after Khalil  died.  I did not know that he had his own firm on Wall Street where he was highly successful.  There was no ego about his accomplishments and achievements, and he was helpful to many others.

Back in the early 2000s, JH and I organized a show of JH’s city pictures for the Diary, and someone suggested to Pierre that he run it at the Chinese Porcelain Company. It opened with a cocktail receptions, bringing out well over a hundred visitors, and we sold many of the photographs with all of the tens of thousands of dollars in proceeds going to the Women’s Committee of Central Park Conservancy to assist their budget.


The scene at The Chinese Porcelain Company in 2008 for an invitational opening night of exhibition of photographs from JH to benefit the Women’s Committee of the Central Park Conservancy.

In 2011 Sian Ballen and Lesley Hauge interviewed Pierre at his Fifth Avenue apartment (on the southeast corner of 72nd Street) while Jeff photographed the apartment for the NYSD HOUSE series. I had never seen the apartment before their visit but the results defined Pierre completely. He had a sharp eye for quality, workmanship, elegance and history, and revered classic artistry. He also had an apartment in Paris and for a while, a hillside house on Sunset Plaza Drive overlooking Los Angeles in West Hollywood. But New York was his home and the center of his collecting. He was stable, he was secure, he was kind and he had a taste for artistry, elegance and history which was thoroughly exemplified as you will see when you read the HOUSE interview.



The Collection of Pierre Durand will be going up for sale at Christie’s on January 27th, 2022. The collection features the contents of Pierre’s New York apartment, which artistically combined walls of gallery-hung Old Master Drawings with contemporary glass by Yoichi Ohira, and contrasted Chinese paintings by Liu Dan with fine French and English decorative arts. Other highlights include important Old Master Paintings, Chinese works of art and Chinese Export porcelain, as well as entertaining porcelain and silver.

Here are a few of our favorite lots of more than 24o that will be offered.


MELCHIOR D’HONDECOETER (UTRECHT 1636-1695 AMSTERDAM)
A sarus crane, a flamingo, a wild bronze turkey cock, two Paduan fowl, a silver birchen game cockerel, and a hoopoe in a landscape
Estimate: USD 250,000 – USD 350,000

d’Hondecoeter’s painting of exotic birds in Pierre’s Fifth Avenue living room. A pair of Louis XVI painted armchairs, also in the collection, are in the foreground.

A PAIR OF LOUIS XVI CREAM-PAINTED FAUTEUILS
BY PHILIPPE POIRIER, CIRCA 1775
Estimate: USD 5,000 – USD 7,000

LOUIS-ANDRÉ-GABRIEL BOUCHET (PARIS 1759-1842)
Portrait of Lucie Isabey, Madame Collon (1795-?), full-length, in a garden
Estimate: USD 50,000 – USD 70,000

Portrait of Lucie Isabey in situ in Pierre’s bedroom.

FRANCIS COTES, R.A. (LONDON 1726-1770)
Portrait of Captain Collingwood Roddam (1734-1806), half-length, in a red coat
Estimate: USD 80,000 – USD 120,000

Portrait of Captain Collingwood Roddam, which was originally hung in Pierre’s living room.

STUDIO OF GIOVANNI PAOLO PANINI (PIACENZA 1691-1765 ROME)
An architectural capriccio with the Farnese Hercules
Estimate: USD 50,000 – USD 70,000
Panini’s Roman capriccio in its original location above a Roman giltwood-and-marble top console.

FRENCH SCHOOL, 18TH CENTURY
Cupid
Estimate: USD 7,000 – USD 10,000

Cupid above the Directoire desk in Pierre’s guest room.

LOUIS-ANDRÉ-GABRIEL BOUCHET (PARIS 1759-1842)
Portrait of Eugene Isabey (1803-1886), full-length, with a sword
Estimate: USD 120,000 – USD 180,000

A view of the living room showing the portrait of Eugene Isabey by Bouchet.

FRENCH SCHOOL, 18TH CENTURY
Portrait of a lady, seated, holding a minature with an umbrella, in a landscape
Estimate: USD 4,000 – USD 6,000

Pierre placed a Portrait of a lady next to a bohemian glass beaker with lavender, a small tureen, and Chinese export silver mug, 19th century.

A GEORGE II GILTWOOD OVERMANTEL MIRROR INSET WITH CHINESE EXPORT REVERSE MIRROR PAINTINGS, CIRCA 1760
Estimate: USD 100,000 – USD 200,000

The overmantel mirror, attributed to John Linnell, on one wall of Pierre’s living room.

CARL VILHELM HOLSØE (Danish, 1863-1935), Reading
Estimate: USD 25,000 – USD 30,000

BARTOLOMEO PASSAROTTI (BOLOGNA 1529-1592 ROME)
The head of the Virgin with the Annunciation
Estimate: USD 20,000 – USD 30,000

A PAIR OF CHINESE PORCELAIN FAMILLE VERTE LARGE BUDDHIST LIONS
KANGXI PERIOD (1662-1722)
Estimate: USD 10,000 – USD 15,000

LEE CHUN-YI (LI JUNYI, B. 1965)
Heart Landscape
Estimate: USD 25,000 – USD 35,000

The viewing of The Collection of Pierre Durand at Christie’s Rockefeller Center galleries is by appointment only from 22–26 January.

Please click here to make a reservation or view the collection online by clicking here.

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